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bio
A mixed-race Milanese journalist, Anna La Stella began photographing in 1972. From her first black and white portraits, her lens gradually pointed towards glimpses of urban life and, in particular, the harsh and irreverent landscape of the suburbs. His favourite subjects, in games of wide-angle and zoom lenses, become the walls: places so exposed that they are no longer seen. Networks of denunciations and utopias that, in their being everyone’s and no one’s, recount anonymous revenge against homologation.
Writings, graffiti, explosions of colours chase each other in the shots. Proclamations of vitality and anger, offered by the city walls, which La Stella transforms into a starting point on which to propose new stories and possibilities.
On a sort of large canvas – made up of cracks, excrescences and hollows in the walls – the author in fact carves very personal virtual brushstrokes: overlapping words, memories, images, until she achieves an effect of rarefied and suspended works.